I consider a performance and its various forms of representation and meaning as a medium for creating “new contexts”. By context I mean the co-shaping of an environment in which the performance can unfold and manifest its multiple connections, be it with the place where it’s situated, or the myriad agencies involved in the process.

SHORt BIO

Nathalie S. Fari (b. 1975 in São Paulo) is a German-Brazilian performance artist, researcher and lecturer dealing with questions of mediation, documentation and translation of site-oriented performance practices. She holds a degree in Art Education from the Fundação Armando Alvares Penteado University (1998), a Master of Arts in Space Strategies – Exploratory Art in Public Contexts (2009) from Weißensee Kunsthochschule Berlin and a Doctor of Philosophy in Performance Practices (2024) from The Artistic Faculty, University of Gothenburg, Sweden. Additionally, she has completed trainings in acting and experimental theatre at the TUCA theatre school (1994) of the Pontifícia Universidade Católica de São Paulo and at the renowned Centro de Pesquisa Teatral Institute (1995) under the direction of Antunes Filho. Furthermore, she has been exploring for over 30 years several embodied practices, from dance (Jazz, Butoh, Isadora Duncan) to acrobatics, to movement improvisation, to yoga (she is certified in the Ashtanga Vinyasa Yoga system) and conscious dance (5 Rhythms).
After her move to Berlin in 2004, Nathalie founded the production label atelier obra viva to foster a cross-disciplinary and international dialogue amongst artists and researchers from different fields. With a focus on site-specific performance, urban intervention and performance as research, the atelier obra viva has carried out several projects as well as educational programs at different places such as historical sites, public spaces and cultural institutions. A key focus has been to apply the concept of Body Mapping to explore how a specific place can serve as a creative source for generating a variety of artistic and/or research outcomes such as articles, video-essays, and screen works.
Since 2018, Nathalie is based in Gothenburg, Sweden, where she has been dedicated to the field of artistic research, especially by designing site-oriented performance laboratories focused on the relationship between embodiment and audio-visuality. Currently, she is developing a post-doctoral project  on the topic Rendering Urban Digitalisation through Screen Performance Research which is affiliated at the research cluster Materialities & Experimental Aesthetics at HDK-Valand. 

Publications

Situated Agencies: Mediating Places through the Body (2024). PhD Diss, Art Monitor Series, University of Gothenburg
Body and Image: How to capture a performative moment (2023). Territórios Sensíveis: Práticas Artísticas no Antropoceno (EN: Sensitive Territories: Artistic Practices in the Anthropocene), edited by Walmeri Ribeiro. Editora Circuito: Rio de Janeiro
Performing while Documenting: How to enhance the narrative agency of a camera (2022). Theatre, Dance and Performance Training Journal. Routledge: London
Notes from a Zoom 5Rhythms® session (2020). Editorial video-essay for the Special Issue on Embodiment and Social Distancing, Journal of Embodied Research
Mapping the Teufelsberg or How to embody History (2018). In: Urban Appropriation Strategies – Exploring Space-making Practices in Contemporary European Cityscapes, edited by Flavia Alice Mameli, Franziska Polleter, Josephine Sarkez-Knudsen and Mathilda Rosengren. Transcript: Bielefeld
EMBODIED PLACES: Performance Practices in Public Space. (2015). Berlin: atelier obra viva